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Archimake Project Review Summer Term
Archimake Project Review for Summer Term is already upon us!
Please join us on Saturday 2nd July to discover Archimakers achievements this term! The event is at Coal Drops Yard, Kings Cross from 10.20-12.30 with registration at 10.15am. Both in person & online attendance is possible.
We have 2 wonderful Guest Reviewers attending to give Archimakers feedback – Andrew Williamson, the architect behind the Harry Potter scenes and models, and Irenee Scalbert, the architect, critic and historian at the Architectural Association School of Architecture.
Click here to join
We are always keen to have Guest Reviewers – if this interests you please email us.
Heres an example of a previous Project Review event;
Book to join us at the Projects Review this term!


Archimake Builds Confidence – Parent Testimonial
“I just wanted to say thank you so much Cheryl and to all the teachers because its been really really great. I think its given the kids, I know with [my son], so much confidence in their ability to come up with inventive ideas in their creativity to trust in that and be given some support and encouragement with that. I would never ever have imagined when we joined that he would be able to confidently tackle a presentation like this and its really really helped incredibly. And Ive seen with his drawing and his sense of perspective and just confidence in his own abilities its just enormously improved, so I just want to say thank you so much I think its a really great project that you’re doing.”
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Archimake Review by Pallawi Sinha, Cambridge University; “All children showed self-reliance, confidence & utmost professionalism”
We were delighted to have Pallawi Sinha join us as a Guest Reviewer for our End of Term Presentations in July 2020. Pallawi is a researcher in the Faculty of Education at Cambridge University and a lecturer in Childhood Studies at the University of Suffolk whose research includes STEM and urban design projects. Below is her insightful peer review of the event for which we are extremely grateful.
“Introduction
I was invited to Archimake along with five other experts to review children’s end of Summer term presentations based on their ideations and creations around sustainable design, developed over a series of workshops attended by them. In response to the unique situation of the lockdown, the topic Archimake organisers and tutors had had children engage with was appropriately related to examining the‘ Home’ alongside drawing and modelling of a room within their homes that garnered a sense of well-being, for them. My background is in education and ecologies of learning with a particular focus on play, s[pl]ace-making, the immediate environment as a tool of learning and transdisciplinary pedagogies thus the invitation was a welcome engagement.
This document reports on the day’s events and reflects on the architectural design work generated by seventeen children (aged 7 years and above) based on their contextual studies, floor and elevation plans, layout design, 3-D modelling and final presentations on what forms sustainable architecture may take. To elaborate, children came in well-prepared having studied architectural designs that highlighted, namely the Villa Savoye by Le Corbusier, Gerrit Rietveld’s Shroder House, the Sliding House by DRMM and Chance de Silva’s Cargo Fleet. Each had been introduced by the Archimake tutors to build an understanding of the importance of air circulation, sunlight, structural detailing such as flexible or moving walls, open plan design, ideas driving sustainability and how these facets of architecture impacted people’s health and well-being. Other tasks that were pertinent to such a study included children drawing their room and house from a range of views, using their feet as means of measuring the room in their house; Small-House making; translating designs into models and making considerations for their feelings, the practical dimensions of architecture and societal issues.
Architectural Tasks and Children’s Presentations:
Focussing on the presentations of the 9 children – including Phoenix, Libby, Adam, Maryam, Theo, Leo, Haneef, Conor and Anton – for whom I offered detailed reviews, first I must acknowledge that these were markedly of high-quality, particularly when considering their age groups (7-13 years old), the short span of engagement and the challenges of coping with COVID restrictions. Phoenix, Libby and Adam, the youngest students, initiated the presentations with each one delivering some notable thinking and detailing in relation to architecture design. While Phoenix’s remodelling of her room spoke of personal connections (for instance, a sunlight space for reading, which she loved, and a place to hang her father’s painting, which she had recreated), her ‘sustainable’ house, located by a river, emphasised energy-saving concepts such as mobile solar panels that could be pulled up and down as per one’s requirement, a roof garden and structural detailing that would allow the rain water to be recycled. Libby’s presentation demonstrated a substantial reading of the contextual studies and well-rounded use of drawing and technological skills. What was particularly unique about her work was her engagement with well-being related to “a cosier space” and colour; space (foldable bed and tables; place for eating breakfast outside or inside); and recycling of material and lessening wastage (portable, stackable homes that reused the cut-outs from the window areas to fabricate the staircase for the house). Adam’s presentation revealed great engagement with the precedent tasks, definite technological skills that he seemed to have enjoyed and a depth of understanding related to sustainable architecture as evident in his discussions on the use of solar panels, stilts and water collection. What was even more striking was this young mind’s refined exploration of homelessness as a societal issue and his response to the lack of space in London. Adam’s house for the homeless ran on tracks for freedom of mobility, was designed to trap heat ‘like the greenhouse’ in the winters and the roof could slide off for air circulation, in the summers.
Next, it was Maryam and Theo, who came with two vividly distinct presentations and ideas lending to sustainable architectural design. With Maryam we were able to observe an advanced engagement with presentation and technological skills. She had a wonderful way of taking us through each stage of her ideas, developments and final designs. In particular, her tiny home on wheels for people interested in travelling was impressive in its structural detailing with an eco-roofing with detachable panels and material explorations (vinyl flooring). Another unique idea that she presented, which has topical relevance but can be developed further, was the inclusion of a compost toilet with the shower. In Theo’s presentation, a good range of studies, plans and materials were made available. He exhibited advanced technological skills in creating a three-dimensional, detailed translation of his architectural design on Minecraft, moving from the inside to outside, letting nature become one with house through landscaping. His sustainable thinking led him to include wide-ranging ideas that included a ‘toilet in a pod’ for his small-home, drain pipes to collect water, a roof garden growing vegetables alongside building the house on bamboo stilts with space for water-melon farming underneath.
This was followed by Leo and Haneef’s presentations. Again, two very diverse ways of engaging with the work and their presentations. Leo’s work exhibited considerable historical and architectural knowledge; a great range of study particularly with regard to the use of a water wheel to conserve water and turning it into energy. Leo’s house on wheels designed in consideration of homeless people was a unique translation to the brief; offering them the desired mobility they seek while keeping them safe. What also intrigued me was how he had thought about bringing nature inside by building the home around a tree; the tree further acting as the support structure of the house. In Haneef’s presentation what was admirable was the clarity with which he was able to explain the project and the processes almost employing the given space and time as a pedagogical tool. His study of light, measurement and sustainability were of high quality but, as importantly, were Haneef’ plan drawings (neatly finished, differentiations to mark the inner-outer walls, cutting the design into half to present a sectional view) that made evident a substantial understanding and passion for architecture. What was also noteworthy was his unique response to social issues and communal thinking in developing the idea for electricity-sharing.
Finally, it was Conor and Anton who delivered their presentations, both of whom demonstrated advanced drawing and technological skills. Conor exhibited excellent background knowledge, very tidy plan, elevation and perspective drawings, exquisite modelling skills and an advanced knowledge of employing technology for the purpose to bringing his design to . In addition, his conceptualisation of a modular housing for people living in poverty was particularly impressive has topical relevance and salient implications for future of housing as prices keep scaling and those economically disadvantaged can no longer access a home for themselves. Like Conor, Anton also provided us with a wide range of plan drawings, and exhibited impressive dexterity for sketching and software application. His model matched his scale drawing and was abundant in personalised (books and paintings included to give life to the place) and structural detailing (glass facade) lent to the space. In thinking sustainably, he had included a grass-roof over the garage. I was particularly impressed by the unique interpretation of the small-house, which was a mobile home with a thatched roof and cross birching, and had the option for a mobile vegetable garden patch that could be kept outside in the day and brought inside when needed.
Concluding Summary and Insights for the Future:
Overall, having engaged in the tasks outlined by Archimake and inspired by their contextual studies, children presented a wide-depth of knowledge and a diversity of ideas that reflected sustainable thinking, a concern for societal issues such as poverty, climate change and the environment, saving energy, rising housing cost. These ideas have the potential to be explored further and this is something Archimake could undertake with students returning to them in following terms. What was remarkable also was their self-reliance, confidence, and technological and verbal command. While some presentations relied on material explorations with a more hands-on approach, others employed modelling software and gaming technology such as Minecraft; either way all children presented their work with utmost professionalism
in my opinion, what was crucial to, and led to the eventual success of, the project were four defining aspects of Archimake’s planning and teaching: a) the gradual advancement of tasks, over every week; b) building a holistic understanding of architecture and children’s capacity for analysing, drawing, structural detailing, representation and presentation; c) the platform to express themselves verbally, textually, practically and technologically in consultation with their peer and tutors; and d) a transdisciplinary space for children to embody their aesthetic, affective, architectural and socially-responsive learnings.
Another aspect of this project’s accomplishment can be associated with Archimake’s dissemination of the project and efforts to build a wider network. For instance, engaging experts from the field for this review, submitting the children’s models to the Giant Dolls House Project – supported by the V&A and London Festival of Architecture – and publishing a booklet will not only access a broader view of how the project may be developed further but also give children a sense of achievement and belonging to a larger cohort alongside building confidence and inculcating transferrable skills.
In conclusion, I would like to say that this is unmistakably a project with great implications for enhancing children’s sense of ‘being-becoming’ along with a heightened responsivity to human and non-human factors in their immediate and wider communities, building knowledge on STEAM-led pedagogies with a focus on affect and performativity, and for posthuman research thinking and practice.”
Pallawi Sinha
Educationist & researcher
Cambridge University
July 2020
We are always keen to have Guest Reviewers – if this interests you please email us.
Book a place on our Bronze Arts Award (Level 1 Certificate) workshops!


Archimake Camp Coordinator – skills development overview
During my work as the Camp Coordinator and Business Development Assistant at Archimake, I had many skill development opportunities.
This rich experience helped me a great deal… Even in a short period of 3 months, I had the opportunity to experience professional skills such as work coordination, conducting professional relations, synchronizing task distribution with my colleagues, which I had not experienced to this extent before. And the most interesting and different part for me was that I experienced them in a remote working environment and tested my skills. In a way, this actually helped me to focus on myself on how I fulfil these duties alone in my own personal space.
Archimake has given me the opportunity to communicate with so many valuable and successful Architectural Firms. This has been very effective in increasing my self-confidence and getting used to the people of this new environment. I was very impressed to see that London has such diverse structure. First of all, seeing a diverse and welcoming structure among Archimake and the practices which I communicate with were a really rich initial experience for me. Establishing good relations in an environment where language, culture and race do not constitute an obstacle has satisfied and gave me a priceless feeling. I familiarized with some ways of communications day by day even though I had some hesitations while I needed to call practices at first. I truly felt that I am breaking my boundaries, which only I set to myself of not knowing what will happen.
Besides the personal growth.., I also developed really professional skills such as learning the right ways of sending a mail to a professional in terms of starting a communication. I had the chance to observe in which conditions they tend to respond or which company might answer in certain ways. This also happened because of starting to gain confidence.
As for the leading skills that Camp Coordinator position gave me, I learned how to carry out conversations with too many different companies at the same time and scheduling the agreed trip in to most mutually convenient date. While dealing with all these it was important to synchronize with my manager by informing her about the details of the conversations. Overall, things went smoothly and I am really happy to see at least one programme that I planned is already realized and it was amazing. But this is a constant job where I needed to still keep an eye on the other practices that I have been communicating and received positive intentions from to keep a track on which might be the potential future collaborative with Archimake. And this taught me to become more organized and see things in a bigger picture.
Zeynep Aktas


Term 1 Spring Term feedback 2022
Term 1 Feedback at the Spring End of Term Presentations


Archimake Newsletter
Our weekly Archimake Newsletter is a collection of the latest childrens drawings and reveals their design journey throughout the term.
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Tarun Kew Gardens Tree House Orthographic Drawing


What We Do
Archimake provides fun collaborative drawing and model making workshops for children aged 8-14 to explore design and the built environment. Our workshops take place in afterschool clubs at school and at weekends.
Click here to book a workshop



Testimonials
Read what is being said about learning and working with Archimake – from children to parents, to architects, teachers and team members!
Click here to see whats being said


Conor Gasholders, Kings Cross, London by Wilkinson Eyre Architects
Conor, 13; Gasholders, Apartment building Kings Cross, London by Wilkinson Eyre Architects


Model of Tokyo Olympic Stadium by Kengo Kuma architects
Group model of Tokyo Olympic Stadium by Kengo Kuma architects, by children age 8-10


Book Workshop
Archimake workshops are a series of 10 workshops in a term. Ideally children start in the first week but we also accept children starting mid term.
Click here to find a workshop location that suits your family


Mathilde, Royal Ballet School Bridge of Aspiration
Mathilde 10, Royal ballet School, Bridge of Aspiration, London, by architects Wilkinson Eyre


Interviews by Archimakers of Leading Architects and Engineers
Archimakers Interview the leading Architects and Engineers in the industry. All interviews carried out by young people interested in the built environment.
Click here to see the live interviews


Presentations
End of Term Presentations when Archimakers explain the ideas behind their work and reflect on their design journey during the term.
Click here to see the past presentations


Arthurs Lloyds Building by architect Richard Rogers RSHP
Lloyds Building by Arthur aged 11, Star of the Week in NBS for Week 1


Zian, Pompidou Centre, Paris France, by architect Richard Rogers.
Zian aged 8; Drawing of Pompidou Centre, Paris France, by architect Richard Rogers.


About
Archimake are an award winning education organisation for children.
Click here to see how we achieved this


Drawing by Tarun; Lloyds of London by Richard Rogers (RSHP)
Drawing by Tarun, Aged 10, Lloyds Building, London by Architect Richard Rogers, RSHP (Formerly Richard Rogers Partner


Star of the Week 1
Pompidou Centre, Paris France by architect Richard Rogers. Drawn by Tarun aged 10



Testimonials
Testimonials from Archimakers, their Parents and their Teachers, Academics and Architects
Click here to hear what they have to say about us


Conor Royal Ballet School – Bridge of Aspiration by Wilkinson Eyre Architects
Conor, 13; Royal Ballet School – Bridge of Aspiration, London by Wilkinson Eyre Architects


Model of Proposed New School & Community Stadium for Hampstead Heath, London
Arthur, Dash & Luc’s model of proposed New School & Community Stadium for Hampstead Heath, London


Arthurs Pompidou Centre drawing by Richard Rogers RSHP
Drawing by Arthur, aged 11, Poompidou Centre, Paris, France, drawing by architect Richard Rogers RSHP


Mathilde, Gasholders, Kings Cross, London by Wilkinson Eyre architects
Gasholder buildings by architects Wilkinson Eyre. Drawn by Mathilde age 10
“I enjoyed the shapes and angles of the building and the dimensions and shading”


Zian Lloyds of London building by architect Richard Rogers.
Zian aged 8, drawing of Lloyds of London building by architect Richard Rogers.

